Public Art and Exhibitions

Third Culture by Hong Wan

Glen Abbey Community Centre

Third Culture is a painting exhibition that explores artist Hong Wan’s experience of immigrating to Canada, adjusting to new cultures and lifestyles during the pandemic, and her newfound passion for painting.

Hong Wan immigrated to Montreal in 2019 and moved to Toronto in 2022. Before that, she worked in the media industry in China for nearly 20 years. She’s worked as a radio disc jockey, as a TV news program reporter, a fashion magazine editor, a fashion website editor, and an e-commerce brand director. After immigrating to Canada, Wan had more free time of her own.

During the pandemic, she discovered a passion for drawing and painting that gave her more freedom than writing. Wan’s exhibition focuses on the expressive nature of portraits.

The Oakville Camera Club

Oakville Public Library, Glen Abbey Branch, and Oakville Trafalgar Community Centre

The Oakville Camera Club focuses on bringing together local photographers of all ages and skill levels to socialize and learn at Queen Elizabeth Park Community and Cultural Centre. A friendly, open club, they feature interesting speakers, photo outings, workshops, peer-critiqued photo challenges and public exhibitions.

Founded in 2006, the Oakville Camera Club filled a gap in the local arts community where photographers could share their passion. The club has grown from 24 members in the first year to over 100 members today.

Competition and Companionship by artist Ning Yang

A new site-specific mural is located in the front foyer at River Oaks Community Centre.

With a cultivated interest in culture, storytelling, and image-making, artist Ning Yang is a participant of the CreateSpace Public Art Residency, a partnership between Sustainable Thinking and Expression on Public Space (STEPS) and the Town of Oakville.

ArtWorks Oakville Exhibition

Trafalgar Park Community Centre

ArtWorks Oakville is dedicated to promoting and showcasing visual artists at public spaces throughout Oakville and the surrounding area.

This season’s exhibition offers a variety of art styles, including works in the mediums of painting, photography, and collage.

Explore community Connextions throughout Oakville

Our temporary public art project, Connextions, is on display until spring 2024!

New works of art are featured on prominent windows at recreation facilities to build community spirit and reflect on the idea of reconnecting.

Main Gallery

ArtWorks Oakville 23rd Annual Juried Show

April 20 to May 10, 2024

• Monday to Friday, noon to 7 p.m.
• Saturday and Sunday, noon to 5 p.m.

Corridors

ArtWorks Oakville – Member Show

Black History Display – Oakville’s Black History

Corporate Collection – Selected Works

Espie Krementsova – Even Though You Are Not, You Are Still Around

Janet Hinkle – Château

Johanna Boffa – Not the Golden Arches (with apologies to McDonald’s)

Minxia Wang

Oakville Camera Club – Capture Oakville 2023

Oakville Fibre Artists – Roots

Tatjana Arsić – Public Art

Teresa Chan – Float with Nature

Virender Paul Madan

Youth Corridors

Chloe Mooney

Display Area

Aiden Lee - Buzzing Canvases: The Vibrant World of Pollinators

Oakville Museum Satellite Space

Seven Glorious Virtues

Through to 2024

Open daily from 8 a.m. to 10 p.m.

Ancient philosophers deemed certain virtues necessary to be a happy individual. These virtues were also necessary in creating a good society and that achieving goodness or virtue is something that must be cultivated every day through one's actions.

Learn about some of the glorious virtues of historic Oakville residents who have contributed to society, personified through artifacts in the museum’s permanent collection.

Town Hall, 1225 Trafalgar Road

North Atrium

• Alvin Tan – Blooming, 1974
• John Alford - The Sinking of U-94, 1983
• Karl Woetz – Avancez
• Michel Foucault – Le Bucheron, 1988
• Neville Palmer – Standing Form (After Noguchi), 1974
• Neville Palmer – Vertical, 1974

Selections from the Corporate Gifts collection from our Sister Cities: Huai’an, China; Neyagawa, Japan; and Dorval, Quebec.

Upper North Atrium

• Fred Schopf – Portrait of Allan M. Masson, Mayor, 1966
• Ian Lazarus – Maquette for “Falling Up”, 1983 (On loan from Oakville Galleries)
• John McKinnon – Maquette for “The Perfect Fit”, 1988 (On loan from Oakville Galleries)
• John McEwen – Maquette for “Still Life and Blind” (On loan from Oakville Galleries)
• Josef Petriska – Untitled, 1982
• Manfred – A Moment of Trust, 1988
• Mark Lewis – The Smell of Books, 1993-1994 (On loan from Oakville Galleries)

South Atrium

Josef Petriska – New Life

Upper South Atrium

Tim Rainey – Mystical Presence (East Side)

Meeting Room A

Norman Choo – Warm Shower Ends a Day, 2003

Bronte Room

Sydna Bell-Windeyer – Old Bronte Harbour, 1988

Thomas Mathews – Fishing Scene, 1974

Oakville Room

David Newman – Untitled, 1962

Thomas Mathews – MacDougald’s Warehouse

Thomas Mathews – Sixteen Mile Creek, 1967

Sixteen Mile Sports Complex, 3070 Neyagawa Boulevard

Liz Pead – Louis Riel and the Church at Batouche, 1885, 2014-2015

Queen Elizabeth Park Community and Cultural Centre, 2302 Bridge Road

Thomas Chatfield - Maple Red

Oakville Public Library

Central Branch, 120 Navy Street

• Almuth Lütkenhaus – Tibetan Girl, 1967 (3rd Floor)
• John Willard – Toucans, Tigers and Zebras Oh My! (2nd Floor)
• Ronald Arnott Baird – Gates (Various locations)
• Thomas Chatfield – Montreal River (3rd Floor)
• George McElroy – Easter in Early Oakville
• George McElroy – Trotting Races on the Sixteen
• George McElroy – Shipbuilding on the Sixteen
• George McElroy – The “Radial” Crossing on the Sixteen

Woodside Branch, 1274 Rebecca Street

Gwyneth Young – Untitled, 1962

Oakville Galleries is a not-for-profit contemporary art museum with exhibit spaces in two locations:

• Centennial Square at 120 Navy Street
• Gairloch Gallery at 1306 Lakeshore Road East

The following works are located in the Gairloch Gardens sculpture park:

Wind Bower, 1990 by Catherine Widgery

Steel, laminated walnut and mahogany

Active as a sculptor for 30 years, American artist Catherine Widgery has developed many public artworks that integrate technology and the natural environment. Widgery’s Wind Bower is located just steps away from the main entrance of Oakville Galleries at Gairloch Gardens. This interactive and immersive work captures the shifting sights and sounds of the garden. The open structure of metal rods with a seating area and a canopy of softly tinkling wind chimes, is at once a product of industry and intellect, and a pleasant, shady nook for passers-by to sit in and become attuned to the shifting sensations of nature.

Giant Beaver Charm, 1999-2000 by Fastwürms

Chrome-plated steel, surgical stainless steel and bronze

The immersive art/life performative works and installations of the Canadian collective Fastwürms bring together conceptual art, popular aesthetics, do-it-yourself amateurism, and humour with various ‘sub-cultural’ sensibilities - queer, working-class, wiccan, occult, and gothic. The duo also has a long-standing affinity with and reverence for the natural world and animals, particularly cats (their own cats often feature in their work).

Wrapped around a distinctive willow tree standing at the edge of the Gairloch Gardens pond, Giant Beaver Charm is – as the title suggests – an oversized charm bracelet with a giant suspended beaver tooth, among other ornaments. Commissioned as part of the exhibition ‘Beaver Tales’ in 2000, it reworks and subverts Canada’s entrenched national icon, suggesting alternative symbolisms and systems of belief.

Falling Up, 1983 by Ian Lazarus

Buffed stainless steel

Since the early 1970s, Ian Lazarus has created sculptures for exhibitions and public environments in Malaysia, Ireland, Mexico, and across Canada. Glimpsed momentarily by motorists who drive past Gairloch Gardens along Lakeshore Road, Falling Up creates the paradoxical illusion of four solid, stainless steel pillars seemingly knocked upwards, as though rewinding backwards in time. This subtly surreal backwards motion catches viewers off guard, creating a temporary rupture in our understanding of gravity and the “natural” order of things. Falling Up is one of the first works that was commissioned for the Gairloch Gardens Sculpture Park.

Channel, 2004 by Liz Magor

Bronze

Over the past five decades, Liz Magor has developed a world-renowned practice that contemplates everyday items such as clothing, packaging, labels, furniture, twigs, branches, and tree stumps. Throughout our lives we are surrounded with ‘stuff’ both natural and fabricated, often forming complex relationships with them. Magor’s work considers what these relationships say about our personal desires and insecurities, as well as the wider pressures of societal, economic, and other outside forces that inform our attachments to things. Often her objects become subtly altered through processes of casting, remodelling, or resituating, so that the boundary between the real and the simulated is no longer clear.

Placed in a wooded area of Gairloch Gardens, Channel is a tree stump cast in bronze that seems at first glance to be entirely harmonious with its natural surroundings. A closer look, however, reveals two eye-like openings. This anthropomorphic twist catches us off guard, and reveals our profoundly unstable relationship to the things we think we know.

A Large Slow River, 1999 by Janet Cardiff

Audio walk (18 minutes)

Janet Cardiff is a Canadian artist who has been celebrated internationally for her work with sound; particularly her audio walks, which she has often made in collaboration with her husband and fellow artist George Bures Miller. A Large Slow River is an audio walk commissioned specifically to respond to Gairloch Gardens, made while the artists were in residence at the gallery. It was recorded on-site using omni-directional microphones that captured a soundscape of the gardens one might experience on any given day. The recording was then crafted into a uniquely moving and unsettling narrative audio work, which takes listeners on a walk around the gardens, drawing attention to the themes of water, time, memory, and displacement.

Still Life & Blind, 1988 by John McEwen

Aluminium and steel

John McEwen is well known within Canada for his large-scale sculptures of animals, namely dogs, deer and wolves, which are often flame-cut from slabs of steel. The artist is interested in how these specific animals often spark a sense of mystery and magic in the human imagination, and can reveal the interconnections between what we often perceive separately as ‘nature’ or ‘culture’. In Still Life & Blind, the sparse outline of a deer is barely visible from a distance, seeming to stand at the lake’s edge. In its original installation, the piece also included a “blind” - a camouflaged place for humans to watch animals without being seen. Here, it acts as a prompt to consider the relationship between viewer and viewed.

1929-1984 Landscape, 1973 by Walter Redinger

Fibreglass

Based in Ontario for most of his life, Walter Redinger was well known for his elemental, pod-like fibreglass sculptures. Created in 1973 (a year after Redinger represented Canada in the Venice Biennale), 1929-1984 Landscape is the first work that was commissioned for the Gairloch Gardens Sculpture Park. The title of the work alludes to the 1929 stock market crash and George Orwell’s well-known dystopian work of fiction, 1984. In framing the decades between these years, Redinger marks out an era of instability in which visions of a dystopian future were coming to pass. Vaguely anthropomorphic, the four figures in this sculptural group suggest a community, albeit one in which individual identities have been eroded by the mechanical and societal developments of a fast-changing world.